Magali Duzant + Brigit Naef
11. Dezember 2025 — 13. Dezember 2025
Opening this Thursday from 18-20 Uhr
Schoffelgasse 10, 8001 Zürich
Magali Duzant is an interdisciplinary artist and writer based in NY and Zürich. Her work combines the poetics of perception alongside in-depth research practices to examine the subjectivity of seeing, intimacy, light, and the roles of technology and translation as mediators of lived experience.
Magali Duzant + Brigit Naef
11. Dezember 2025 — 13. Dezember 2025
Opening this Thursday from 18-20 Uhr
Schoffelgasse 10, 8001 Zürich
Tracie Dawn Williams curated a mixtape for the Fall of Freedom event, answering a nationwide call for unity in the face of rising authoritarianism in the US. For this call, I revisited the copper plates I had engraved with selections of text from I Looked & Looked. In this selection, Everything We Thought, the texts speak of searching for the moon as much as uncertainty in the face of climate crisis as hurricanes and other weather phenomena become increasingly dangerous.
This past weekend, two images from La vie is like that were on view in the museum’s Project Space. Seaton Street Press presented a selection of its projects examining the intersections of site, language, and memory, reflecting on familial and constructed archives, migration stories, and geographies. From Justin Hui's Searching for Poon, reconstructing his grandmother's memory and journey from mainland China to Hong Kong, Diana Guerra's Fleeting Under Light, on border crossings and new understandings of family and homelands in Latiné communities, and my book, La vie is like that, exploring language acquisition, migration, love, grief, family, identity, and aphasia, to Tyler Rico's Convergence and Excavation, disparate moments and timelines embedded in places and objects, Matt Neff's Sometimes, on vernacular photography and time as a feeling, and Lindsay Buchman's Stratagems (an overture), reflecting on transracial adoption and how place shapes who we become.
Happy to have three prints from La vie is like that included in Cross Currents at Gallery 1010 in Knoxville, Tennessee. The exhibition opens on Friday, April 4th.
January 22nd is the opening of Support Systems, a group exhibition curated by Christina Freeman at Longwood Art Gallery in the Bronx. I’m excited to have an installation of The Dry Garden included. The exhibit runs through February 25th. More info at the following link: https://www.bronxarts.org/programs/connector/longwood-art-project/longwood-art-gallery
I sent off a postcard from Light Blue Desire to Bern two weeks ago for this sprawling group show, A Letter from a Friend, taking place this month at Bacio in Bern. The postcard is from the section of Light Blue Desire that talks about colors and direction in language. The show is up into December, details over at: https://bacio-collective.com/
Happy to have work from my collaborative project with Christina Labey, The Library as a Garden, on view in this upcoming exhibition at the Lower Eastside Girls Club Gallery. The show, Community Care: Stewarding Your Neighborhood, is organized by the Lower East Side Ecology Center and opens on September 6th.
Happy to have an image from La vie is like that in the upcoming group show, Reach for Shine, curated by Lemia Monet Bodden. The exhibit is on view from Sept 1 - 30 in San Francisco at Small Works with an opening reception on Sept 5th.
Very excited to have La vie is like that included in the exhibition Press Print : Risograph Photobooks opening this week at Penumbra Foundation. If you’re in NY do stop by! The show runs through November 1st. More details at: https://www.penumbrafoundation.org/press-print
The Via Combusta’s next stop is Three Shadows in Beijing! The exhibition is on view from May 11 - June 16, 2024. Work from my linked projects The Moon & Stars Can Be Yours and Sympathetic Magic are included in the group exhibition curated by Zhou Yichen and Gan Yingying.
Work from The Moon & Stars is currently on view in the exhibition The Via Combusta at Fotografiska Shanghai. Curated by Yichen Zhou and Yingying Gan.
Old School, New Worlds at SMUSH Gallery received a lovely write up in the Jersey City Times this month. The show closes February 15th. The full piece can be read here.
My collaborative project The Library as a Garden will be on view in Old School, New Worlds at SMUSH Gallery in Jersey City. The exhibition is organized by Dense Magazine in conjunction with the Jersey Art Book Fair (runs Feb 3-4). The Library as a Garden is a collaboration between Christina Labey and myself exploring the connection between humans and plants through the lens of the archive. In this arboreal-focused installation, we weave together plant specimens, watercolor studies, and writing to infuse new life into historical archives. By casting trees as quiet observers of human history and pivotal figures in forging a sustainable future, in the hopes of redirecting our attention to the often-overlooked presence of nature in the urban landscape.
Work related to my book The Moon & Stars Can Be Yours is included in the group exhibition The Via Combusta on view until January 21st in Xiamen, China as part of the Jimei X Arles Photo Festival. The exhibition curated by Yichen Zhou and Yingying Gan won the festival’s Curatorial Award and will be shown in expanded form this spring at Fotografiska in Shanghai and at Beijing’s Three Shadows Photography Center.
The Dry Garden is on view as part of the Maribor Photobook Award 2023 exhibition at the Maribor Art Gallery in Slovenia, organized by The Angry Bat DEZ - Association for European Consciousness.
Light Blue Desire has been acquired by the Franklin Furnace Archive. The book is currently on view in the exhibition, Shared Storytelling: New Acquisitions from Franklin Furnace Archive, 2018-2022 at the ISC Building at Pratt Institute in Brooklyn. The exhibition is on view until April 6, 2023.
My solo show, A Tree, A Garden, opens in New Orleans at Antenna on February 11, 2023. The show will be on view until March 26th. A corresponding publication, The Dry Garden, is available from Antenna Press.
A Tree, A Garden reflects on the many ways in which trees manifest into other things, from memorials and myths to memes, markers, and meeting points.The exhibition brings together two research projects that explore the place of trees in our understanding of the world. Inspired by trees found both in old-growth forests and on city streets, A Tree Grows in Queens incorporates a collection of written vignettes, archival images, and original photographs to explore how narratives of trees have touched on the larger topics of climate, capitalism, catastrophe, and compassion. The Dry Garden, an installation of cyanotype prints and a publication, is composed of reimagined archival material from herbaria, where plants are dried and stored for scientific purposes. The imagery transformed into shades of blue and white is influenced by Anna Atkins’ Photographs of British Algae: Cyanotype Impressions, the first book of photographs ever published. The work reconsiders archival histories and explores how narrative can act as a riposte to plant blindness, encouraging more empathetic relationships with our natural surroundings.
Said To Be Dreaming is a Must See according to ARTFORUM! The show is up until September 9. Thursday August 25 there will be a performance and book launch at Olympia ( 41 Orchard St, NY, NY ).
A group exhibition on reading poems and images - featuring paintings, video, mail art, and sound. The show explores how the acts of reading and looking are themselves an art of daydreaming and meandering. The exhibition is curated by Chantal Soong Lee and Emily P. Dunne. The exhibition asks, what does a conversation between a poet and an artist, or between two visual artists, look like? http://olympiart.org/
I will be showing work from A Means to Measure, a series of pvc and perspex wall pieces that interact with sunlight, on Governor’s Island ( NYC ) from June 18 - 26 in SOLSTICE curated by Jonathan Sims.